Due to Covid-19 we have implemented a few guidelines to help keep everyone safe: COVID-19 Gallery Guidelines
24kt gold leaf, Labradorite, Mother of Pearl, Dichroid and Vitreous Glass on Plywood
Beach pebbles, Ammonite fossil, 24 kt gold leaf and vitreous glass tiles
Made from found and reclaimed objects
Acrylic and wool.
Vintage and gifted textiles, hand stitching.
The diptych, Tea Drinkers of Cyana, Plate XXXVII, Might they wish us well? represents a Cyana and her Dragon, linked via the cosmology of the Tea Drinkers of Cyan. Each Candidate hoping to become a Cyana is seated in the neck saddle of a Common Dragon in preparation for a single flight. Returning to the ground, the Candidate has become a Tea Drinker of Cyan or a porcelain figurine.
The story of The Tea Drinkers of Cyan is told by the Confabulator, in 52 transcribed conversations with the Poet Albero, who communicates in two-word sentences. Each plate contains 167 words, minus the titles. Plates are written in cursive style on the dragon panel of each diptych. The Plates tell the story of how elderly women become Cyanae, also known as Women of Advanced Comprehensions. Although 52 plates have been written, there is only one diptych at this time. More are planned, although far fewer than fifty-two.
What benefits accrue to devotees of this cosmology is unclear. However, there is some comfort to be had in knowing transmutation can only happen to elderly women.
24 kt Gold Leaf and Vitreous glass on granite tile
‘Faces’ began as off-cuts from 1 1/4" pipe used to forge garlic scapes. They emerged as the butt end of the material was pinched, punched and hammered and not according to any predetermined design. As the bits accumulated, they begged to be assembled and incorporated into other media that exhibited similar or contrasting texture and shapes - motley crowd scenes, with a nod to Pieter Bruegel, the Flemish renaissance artist.
Wet Felted Wool on wood with natural found objects
Wet Felted Wool on Wood with Natural Found Objects
Wet Felted Wool on Wood with Natural Found Objects
raku fired tiles, natural rock and shells, pyrite ammonite fossils, beach glass
Vintage and gifted textiles with silk chiffon
Made from found and reclaimed objects
“This car is a representation of the vehicle that, though simple in design, influenced society across the world. It brought change and unity to various socio-economic groups and should serve as an inspiration of what we should continue to do in the future. We should come together to celebrate new and changing elements in our environment. ” AH
24kt gold leaf and vitreous tile on cork flooring
3D Stacked Stained Glass Sculpture
A barnacle was the start. Such a vulnerable creature crouched in its protective shield of shell. Isolated but safe. The shield of my making broke apart; becoming swirlling forms beautifully unique, spiraling and dancing in synergistic abandon.
raku fired tiles, polished gem stones and natural rock, titanium quartz crystal
Vitreous Glass Tiles, Iridescent Glass tiles, mirror.
How did primitive people understand the waxing and waning of the moon? Did pieces simply drift away or silently meld together each month? Hmmmmm.....
‘Faces’ began as off-cuts from 1 1/4" pipe used to forge garlic scapes. They emerged as the butt end of the material was pinched, punched and hammered and not according to any predetermined design. As the bits accumulated, they begged to be assembled and incorporated into other media that exhibited similar or contrasting texture and shapes - motley crowd scenes, with a nod to Pieter Bruegel, the Flemish renaissance artist.
raku fired tiles, fossilized shark teeth and sea urchin, smalti, pyrite, abalone
made from found and reclaimed objects
“This hunter is a reminder from nature that you can be silent but still powerful and that by overcoming obstacles, more opportunity opens up to us.” AH
Orsoni Smalti, gold smalti
Vintage textiles / hand dyed with local plants
raku fired tiles, natural rock, seachells and barnacles, pyrite chips
Labradorite stone, alabaster stone, smalti, vitreous glass tiles and Swarovski glass.
In Inuit mythology, the Aurora Borealis (Northern Lights) was born from the Labradorite stone. Other stories say that the Northern Lights were held captive by the Labradorite stone.
Made from found and reclaimed objects
raku fired tiles, seashells, pyrite mineral, ammonite fossil, abalone, smalti
Made from found and reclaimed objects
Vintage textiles / linen / hand dyed with local plants
Stained Glass Mosaic
‘Faces’ began as off-cuts from 1 1/4" pipe used to forge garlic scapes. They emerged as the butt end of the material was pinched, punched and hammered and not according to any predetermined design. As the bits accumulated, they begged to be assembled and incorporated into other media that exhibited similar or contrasting texture and shapes - motley crowd scenes, with a nod to Pieter Bruegel, the Flemish renaissance artist.
Smalti, smalto glass (copper, silver, gold) and Swarovski glass.
© 2025 Fog Forest Gallery14 Bridge St, Sackville, NB, Canada506-536-9000